Perhaps comparisons could be drawn to Hawksley Workman and Hayden to a lesser extent, but Banhart makes both artists sound bland in comparison. The fragility heard in "Nice People" resembles Victoria Williams but evolves into a Syd Barrett song structure, speaking of "wide ass suits and lion tattoos." Barrett can be discerned throughout the record, especially during "Gentle Soul." "Cosmos and Demos" lends itself more toward Pink Floyd performing something from Echoes, perhaps the acoustic-oriented "Fearless." Lyrically the songs are quite odd and occasionally nonsensical, particularly "Michigan State." Here Banhart speaks of a friend who has his favorite teeth and ears. A number of the tracks are less than or just over one minute in length, often stream-of-conscious poetry put to music. Leary," but that performance is only one of the many highlights here. ![]() ![]() Cars can be heard driving past in "The Charles C. Originally recorded on shoddy and broken four-track recorders, the songs have a definitive roughness and audible hiss on nearly all of them, giving them a certain authenticity rarely found. "Roots (If the Sky Were a Stone)" is a perfect example of this, as Banhart uses his vocals and an acoustic guitar to get his brief yet often memorable points across. ![]() The first thing that strikes you about Devendra Banhart is his utterly unique and soft voice, which seems a mix of Nick Drake and Marc Bolan.
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